BOSTON GLOBE
May 25, 2008 | Gregory Katz, Associated Press
LONDON - Siegmund Nissel, a violinist who fled his native Germany as a child to escape Nazi persecution of Jews and later helped found the Amadeus String Quartet, has died. He was 86. Mr. Nissel died Wednesday at his home in London, his daughter, Claire, said. Mr. Nissel, violinist Norbert Brainin, and violist Peter Schidlof escaped from the Nazis and formed a deep, enduring friendship when they were in an internment camp on the Isle of Man in Britain during World War II. The fourth was British cellist Martin Lovett.
BOSTON GLOBE
January 23, 2012 | Robin Abrahams, Globe Staff
Watch how this violinist handles himself when a cell phone disrupts his performance.
A&E
August 10, 2010 | Matthew Guerrieri, Globe Correspondent
PETERBOROUGH, N.H.—The Peterborough Town House’s clean vault might seem an architectural rebuke to Parisian decadence, but the Monadnock Music Festival bridged the gap on Sunday with a program of French-born refinement. The theme, “Paris of the Senses,’’ emphasized composers’ almost tactile use of instrumental color. It could also have referred to a sense of history, focusing on two periods — the 1890s and the 1920s — when Paris’s culture and historical circumstances particularly intertwined.
A&E
June 20, 2011 | By Jeremy Eichler, Globe Staff
BOSTON EARLY MUSIC FESTIVAL Trio Settecento and Solamente Naturali At: Jordan Hall, Emmanuel Church, Friday afternoon and night Friday night was fiddle night at the Boston Early Music Festival, as two programs placed the violin in the spotlight, not only by virtue of the music chosen but also through broader stories these concerts tried to tell. Trio Settecento’s afternoon concert in Jordan Hall was intriguingly titled “The Alchemical Violin,’’ and it sought out Baroque string music that reflected the idea of...
A&E
March 8, 2011 | Matthew Guerrieri, Globe Correspondent
WESTON — None of the music the Radius Ensemble presented at its weekend concert was terribly shy. But alongside a varied straightforwardness was a certain coyness: Did the music have meaning on its own or only through extra-musical reference? Tiptoeing around that venerable formalist question, references of time and place invited listeners to fill in a story, even when there might not have been a story to fill in. Take, for instance, Alan Hovhaness’s 1947 “Divertimento’’ for wind quintet.
A&E
February 24, 2009 | Matthew Guerrieri, Globe Correspondent
CAMBRIDGE - On Friday, the Fromm Music Foundation at Harvard presented conductor Jeffrey Milarsky's crack new-music ensemble, the Manhattan Sinfonietta - once the Columbia Sinfonietta, the now-independent group remains Columbia University's contemporary ensemble-in-residence. The concert, the first of two collectively called "The New Soloist," showed that, while the vocabulary may change (here, a profusely detailed non-tonal modernism), the new soloist is a lot like the old - speed, dexterity, and dramatic flair are still the touchstones of individual...