NEWS
January 7, 2012
JAZZ The ratio of Thelonious Monk tribute albums to Thelonious Monk compositions is way out of synch. The iconoclastic pianist wrote only 70 tunes, but you know most of them, even if you don't know you know them. Monk tributes are numerous, but trumpeter Jimmy Owens's "The Monk Project" warrants special attention. One reason is the lineup: Aside from Owens (who gigged with Hampton, Mingus, Basie, and others), the septet features Wycliffe Gordon (trombone), Marcus Strickland (tenor saxophone)
A&E
November 27, 2011 | By Steve Greenlee, Globe Staff
Much of the livelihood of jazz is built upon covers. Jazz artists have offered up their own version of popular songs - "Body and Soul," "Summertime," "My Favorite Things" - since the genre's advent. Today's jazz musicians are just as likely to cover rock and pop songs by the likes of Radiohead, Björk, or Wilco as they are to tackle the oeuvre of Cole Porter or Johnny Mercer. Releasing an entire album devoted to one songwriter is nothing new, either. Ella Fitzgerald famously did her "songbook" series.
NEWS
November 20, 2011 | By Brian MacQuarrie, Globe Staff
MARBLEHEAD - Showtime has arrived, and the stooped emcee rises slowly from a chair, leaning into a cane as he takes one halting step, and then another, in a small room dominated by a double row of wheelchairs. "Ladies and gentlemen," Lennie Sogoloff rasps in a gravelly voice. "I can't tell you how pleased I am to see you here. Today, we have two old friends of mine. " Forty years ago, Sogoloff, now 87, was the force behind Lennie's-on-the-Turnpike, the legendary West Peabody jazz club where he introduced the likes of Duke Ellington and Buddy Rich to energized crowds of...
A&E
September 14, 2011 | By Mark Shanahan & Meredith Goldstein, Globe Staff
Two Bay State men made it to the semifinals of the world's premier jazz competition before being eliminated. Glenn Zalewski , of Boylston, and Steven Feifke , of Lexington, were among the final 12 competitors in the 24th annual Thelonious Monk Institute of Jazz International Piano Competition. ( Kris Bowers , a Los Angeles native and music student at the Juilliard School, took home the $25,000 top prize.) The semifinal round took place during a star-studded gala at the Smithsonian Institute's National Museum of Natural...
A&E
January 28, 2011 | Mark Feeney, Globe Staff
Visually, jazz had great timing. It arrived on the scene more or less concurrently with hand-held single-lens reflex cameras and high-speed film. This meant a music based on improvisation could be documented by a medium increasingly defined by it. The where and who of jazz were almost as good for photographers as its when. Jazz clubs are high-contrast heaven: spotlighted performers in front of darkened listeners. Until recently, they also offered atmospheric filigree, courtesy of cigarette smoke — bad for the lungs, a boon for the lens.