A&E
March 22, 2006 | Louise Kennedy, Globe Staff
Anyone who has ever argued that feminists have no sense of humor needs to go directly to the Stuart Street Playhouse, where "Broad Comedy" is settling in on Saturday nights for an open-ended run. If this irreverent, giddy, snarky-perky collage of satire, sketch comedy, and cheerleading doesn't make you laugh, then either you are incapable of laughter or you are Dick Cheney. Or, of course, both. The six members of the "Broad Comedy" troupe, led by writer/composer/director/performer Katie Goodman, get the audience warmed up before letting loose with the more political numbers of the 90-minute...
A&E
June 8, 2010 | Louise Kennedy, Globe Staff
WELLFLEET — Peter Sinn Nachtrieb’s plays go over the top and then keep going — until the bottom drops out. At times scabrously funny, crude to the point of incredulity, and relentlessly satirical, they would be brilliant if only they were . . . brilliant. That is, if they were as smart and original as their author evidently thinks they are. Instead, they’re merely clever and mean. And while that can be fun for a while — in a late-night sketch, say, or a high-school cafeteria — over the course of a full-length play it starts to wear a little thin.
A&E
April 27, 2006 | Ed Siegel, Globe Staff
CAMBRIDGE -- How do we know if we can handle the truth if it's impossible to tell what the truth is? In a world in which one ranting voice drowns out another and 24-hour news channels careen from the war in Iraq to Tom Cruise's personal life, it's getting harder than ever to tell what's what. Enter the Civilians, a vibrant sextet of satirists who charge their way into our contemporary Tower of Babel, taking the measure of what we know and what we don't know. Or what we think we know and what we think we don't know.
A&E
February 8, 2006 | Ed Siegel, Globe Staff
Has Ryan Landry gone straight? Just one look at him as Buffy Loman, daughter of Wilma, in his heavily padded brassiere, long blond wig, and spangly red high heels will tell you that he's not that kind of straight. But amid all the usual gender-bending high jinks in his new show, there is a serious, sad side to "Death of a Saleslady. " Landry tends to pick top American artists to send up in his often hysterical satires, such as Tennessee Williams in "Pussy on the House" and Edward Albee in "Who's Afraid of the Virgin Mary?"
A&E
July 11, 2010 | Valerie Miner
Alain Mabanckou’s river of consciousness novel, “Broken Glass,’’ examines the colonial heritage and current social (dis)order experienced by people in his native Congo. Mabanckou, a high velocity, much vaunted author who has published five books of poetry and seven novels since 1995, teaches Francophone literature at UCLA. He sets this picaresque satire in a seedy bar, Credit Gone West, in the Trois-Cents district of Congo-Brazzaville and fills the stools with outsized characters like Broken Glass, Pampers, the Printer, Robinette, and Stubborn Snail.
A&E
March 24, 2006 | Ty Burr, Globe Staff
"Michael Jordan plays ball. Charles Manson kills people. I talk. " So says Nick Naylor (Aaron Eckhart), tobacco lobbyist extraordinaire, in the ridiculously entertaining satire "Thank You for Smoking. " Like its protagonist, the movie is smart, soulless, glib, and utterly charming -- just the thing to warm up a movie season that's been late to bloom. Sticking close to the 1994 Christopher Buckley novel from which it's adapted, "Thank You for Smoking" gives the devil his due in the person of Nick, an unapologetic proponent of the all-American right to puff yourself to death.