A&E
October 17, 2010 | Richard Eder, Globe Correspondent
At first glance, and for much of its brief length, Philip Roth’s new novel seems a departure from his sagas of intricate, glittering obsession — sexual, artistic, racial, metaphysical — or simply his tooth-marked attacks on the human condition. Grippingly and with documentary expertise, it tells a story set in the devastating 1944 polio epidemic, detailing its impact upon a modest Jewish neighborhood in Newark. Quite unlike the usual Roth pattern, everyone in it is uncomplicatedly good; none more so than its tough, devoted protagonist, Bucky Cantor, a physical education teacher and summer playground director who must...
A&E
October 25, 2009 | Floyd Skloot
John Irving’s career as a novelist began in 1968, with the publication of “Setting Free the Bears.’’ The career of novelist Danny Angel, the main character in Irving’s new novel, “Last Night in Twisted River,’’ spans the same 41 years. This is not a casual gesture on Irving’s part. To further entangle author and character, Irving creates obvious career parallels: Angel becomes an international success in the late 1970s with his fourth novel, as Irving did with his fourth, “The World According to Garp’’; Angel publishes an “abortion novel’’ called...
A&E
November 22, 2007 | Karen Campbell
The Journal of Joyce Carol Oates, 1973-1982 Edited by Greg JohnsonEcco, 509 pp., illustrated $29.95 As one of America's most prolific writers, whose acclaimed literary contributions include novels, novellas, short stories, essays, reviews, even plays, it's no surprise Joyce Carol Oates also kept journals. It reflects what we know of this remarkable writer as obsessively reflective and creative, so disciplined she confesses a sense of "profound worthlessness" if a day or two passes without writing.
A&E
July 16, 2006 | Gail Caldwell
Whenever I do any public speaking, I am inevitably struck by the gregarious nature of the book-loving masses. We are supposed to be a shy lot, according to legend and stereotype: shuffling, myopic people who prefer text to other people, or dream-catchers who mumble thoughtfully about arcane theories and highbrow literary trends. 'Twas never so, from my poll of the lively audiences. Critics, too, have a narrow reputation; last year, a lovely independent bookseller said to me, by way of compliment, "You're so friendly, you don't seem like a reviewer at all!"
NEWS
April 9, 2006 | The Observer, Sam Allis, Globe Columnist
Wendy Strothman did the damnedest thing a few years ago. She crossed the street from publisher to literary agent. She went from 250 employees to two. She traded a big office and expense account as head of the trade and reference division of Houghton Mifflin -- the one that puts everything from Curious George to Philip Roth into bookstores -- for a tiny nest near Faneuil Hall. Strothman, 55, had spent 30 years in publishing: She was, among other things, director of Beacon Press before Houghton.
A&E
July 24, 2005
How to Be a Man: Scenes from a Protracted Boyhood By Thomas Beller Norton, 256 pp., paperback, $14.95 It's hard not to share Thomas Beller's affection for his younger self. He is sweetly nostalgic for who he was, who he wanted to be, what he had and didn't know how to value. A clever city child, he grew up in the 1970s on Manhattan's Upper West Side, where he also held a number of short-term jobs while becoming a writer. In "Portrait of the Bagel as a Young Man," Beller cherishes the memory of checking inventory behind a pillar of brown sugar in the basement of H & H...