A&E
July 21, 2010
IT’S COMPLICATED (Comcast Movies: All Movies) Officially, this is a Meryl Streep movie. As a well-to-do baker and businesswoman having an affair with her married ex-husband (Alec Baldwin), Streep deploys all her best moves. But Baldwin’s gusto comes as a shock. He doesn’t steal the movie from her so much as counterpunch with charisma. Written and directed by Nancy Meyers. (R; runs through Oct. 1) WESLEY MORRIS THE TWILIGHT SAGA: NEW MOON (Comcast Movies: All Movies)
A&E
December 4, 2009
Previously released Bad Lieutenant: Port of Call New Orleans Nicolas Cage is back in his high lunatic mode as a New Orleans police detective investigating a murder while high and corrupt. He’s working with the hellion, Werner Herzog. Their pairing is about as perfect a meeting between a director’s sense of mischief and an actor’s license to misbehave as a moviegoer could hope for. With a never-better Eva Mendes as Cage’s hooker girlfriend. (88 min., R)
A&E
November 21, 2009 | Associated Press
The driver of a Miley Cyrus tour bus was killed yesterday morning when the bus overturned in Virginia; the 16-year-old “Hannah Montana’’ star wasn’t on board. The bus, driven by William G. Douglas , 53, of Austin, Texas, ran off the left side of Interstate 85, struck an embankment, and overturned, state police said. ‘Twilight’ sets record “The Twilight Saga: New Moon’’ set a box-office record for midnight screenings. Summit Entertainment estimated yesterday that it earned $26.3 million after opening early in the morning.
A&E
November 20, 2009
Precious: Based on the Novel ‘Push’ By Sapphire (R), 6 Bronson (R), 14 The Messenger (R), 9 Black Dynamite (R), 12 The Blind Side (PG-13), 10 Planet 51 (PG), 8 Reviewed Thursday The Twilight Saga: New Moon (PG-13)
A&E
November 19, 2009 | Ty Burr, Globe Staff
Sorry, girls: The thrill is gone. “The Twilight Saga: New Moon,’’ the second installment in Hollywood’s adaptation of Stephenie Meyer’s mega-selling vampire romance series, is an anemic comedown after the full-blooded swoon of last year’s “Twilight.’’ Where the first film’s director, Catherine Hardwicke, plugged into Meyer’s vision of supernatural teenage lust with abandon, Chris Weitz is stuck with a sequel that’s a...
NEWS
May 8, 2007 | Joan Anderman, Globe Staff
The first posthumous collection of Elliott Smith songs, 2004's "From a Basement on the Hill," was a window on the turbulent last years of a gifted, tortured soul. Smith's final recordings were a gorgeous mess of aimless murmurs, bittersweet pop tunes, and ramshackle rock epics from an artist clearly and painfully in thrall to the lure of oblivion. Now, four years after Smith's death from knife wounds (the LAPD's investigation into the circumstances remains open), a second -- and very different -- posthumous album is being released.