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‘The Wolf Gift’ by Anne Rice

BOOK REVIEW

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Boston Articles
February 23, 2012|By Alan Cheuse
  • In her latest novel, Anne Rice writes about a journalist who is bitten by a creature that gives him powers to do good.
In her latest novel, Anne Rice writes about a journalist who is bitten by… (Matthias Scheer )

Let me get all the cute stuff out of the way first. About how I want to howl at the moon over this book, and that I devoured these pages, and how the change Anne Rice has made since her recent fiction, a pair of sentimental novels based on the material of the Gospels, seems almost lycanthropic. As it happens, in her terrific new novel, “The Wolf Gift,’’ Rice’s version of the werewolf legend pretty much leaves the moon out of it.

Her main character, Reuben Golding, a tall, handsome young San Francisco journalist with a trust fund, instructs us in these matters. While on assignment in Mendocino County to write a feature story about a huge estate that’s just come on the market (which includes a mansion overlooking the Pacific and hundreds of acres of woods), Reuben is attacked by what he later, in a news story, dubs a “Man Wolf.’’ For reasons that quickly become clear the creature bites him but does not kill him, thus bestowing on him what Rice calls “the wolf gift’’ or the “Chrism,’’ a sort of Faustian bargain that allows him to use his transformation for good, setting him on a path, sometimes at great cost and danger, toward a new and profound understanding of himself in relation to nature and culture.

What a “gift’’! A virus passed in the attacker’s saliva transforms the stem cells of the victim at the molecular level - if the victim lives - and brings on an astonishing change of condition: body fur, fangs, huge hands that become paws, and extraordinary powers of perception. Reuben’s first experience with this change begins small. “His fingernails and toenails tingled,’’ we hear. And then the pace picks up. “His fingers, or were they claws, touched his teeth and they were fangs! He could feel them descending, feel his mouth lengthening! . . . His voice was guttural, roughened . . . His hands were thickly covered with hair! And the claws, look at the claws . . . The hair was pouring out of his scalp, it was rolling down to his shoulders . . . He felt his throat open with a cry, a howl.’’

The book works the same way, inspiring a curious tingling at first and then pretty quickly howling along. As Rice demonstrates, the language of a novel working at its best does much better, even with presenting spectacle, than the hyper-digitalized special effects of movie-land, mainly because we get all of the visual effects of a movie enhanced by the awareness of the character undergoing the experience.

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