Jamie never knew what his old man was writing, though there was barely a limit to what it could have been. What Jim Mills lacked in formal education, he made up in curiosity and brains.
He was a ham radio operator, an avid and artistic photographer, a Navy veteran who had learned early fingerprinting techniques while serving in the Criminal Investigation Command. He was an amateur hypnotist, a proud Freemason, and a fanatic about history, to which he devoted much of his time. Mills took his photographs, his books, his writings, and stored them in an old Plymouth Valiant named Betsy that spent its sunset years parked beside their house.
By 1981, the booze pried him from the job he loved, as a crime-scene photographer and fingerprint specialist. “Like all alcoholics, he lost interest in that which he was most interested in,’’ said his son, Jamie. In 1993, the vodka led him to an early death.
It was then, in the quiet of his father’s house in Hanover, that Jamie opened the files and was stunned by what he found: Mugshots that were as artistic as they were abrupt, elaborate sketches, personal recollections of the Boston Strangler case, photos of celebrities from the era. Jamie didn’t know whether to treasure it or publish it. He took years to study every photograph and read every page.
Which explains why a news story he heard on the radio one morning caught him short. A new book on John Kennedy by Chris Matthews, the announcer said. Fresh questions over the origin of the most famous line in his inaugural address. “Ask not what your country can do for you; ask what you can do for your country.’’ Kennedy’s prep school headmaster had said something similar in the 1930s.
It nagged at him, that quotation, nagged at him until Jamie Mills pulled out his father’s papers and found one envelope, then another, three in all, each of them containing the same thing: A photocopied journal published in 1918 with a speech from the US vice president, Thomas Riley Marshall.