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‘The Technologists’ by Matthew Pearl

BOOK REVIEW

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Boston Articles
February 20, 2012|By Andrew Caffrey
  • The Technologists by Matthew Pearl
The Technologists by Matthew Pearl

Boston after the Civil War is blossoming into an industrial powerhouse, and the science and engineering breakthroughs fueling its advances are known by a fancy label: technology.

But what if, as author Matthew Pearl posits in a contentious but familiar premise, technology were used to destroy rather than to build, to displace not empower, or exploited by a powerful few? Pearl sets these questions ablaze at a place that matches the zeitgeist: the beginnings of the Massachusetts Institute of Technology, where members of its first graduating class rally to the defense of science.

The plot in brief: Some dastardly hand unleashes panic in the city with mystifying acts of technology run amok - one that confuses navigational devices on boats inside the harbor, causing the maritime version of the interstate pileup, and another that vaporizes glass windows throughout the busy financial district to deadly effect. The hidden source of this violence leaves the Lilliputians in the crowd to damn technology as a sinister alchemy, and soon by proxy, MIT and science itself are on trial.

Pearl is a local writer whose academic credentials include editing Modern Library editions of works by Dickens, Poe, and Dante. Those authors subsequently served as the centers for his first three novels - historical thrillers with highbrow literary conceits.

In his rousing debut, “The Dante Club,’’ a series of crimes right from “The Divine Comedy’’ threaten the team of literary lions, including Oliver Wendell Holmes, trying to publish the first American translation of Dante’s masterpiece.

Like his earlier novels, Pearl peoples “The Technologists’’ with real-life figures, this time from MIT’s formative years. But its main character is an American archetype - the plucky outsider. Marcus Mansfield, drawn from the lower stocks and scarred by the Civil War, attends MIT with his tuition paid by the wealthy industrialist who owns the railroad works where he once labored. In a city of stifling social stratification, Mansfield is a noble contrast to the swells desperate to keep the halls of higher learning reserved for men of breeding and wealth.

Mansfield is wracked with doubts: whether he belongs among the “collegies’’ and dares to dream of a life bigger than what the industrial masters have reserved for cogs like him. That class struggle and internal conflict seem the most accomplished part of Pearl’s book and help explain Mansfield’s drive to find the terrorist: He feels a debt to MIT President William Barton Rogers for banking on him, and a responsibility to the book’s other working-class characters.

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