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‘Safe House’ plays it a little too safe

MOVIE REVIEW

THIS STORY APPEARED IN
Boston Articles
February 10, 2012|By Wesley Morris
  • Ryan Reynolds (left) and Denzel Washington costar as CIA agents in the action thriller Safe House.
Ryan Reynolds (left) and Denzel Washington costar as CIA agents in the action… (UNIVERSAL PICTURES )

It takes only one shot to understand how Denzel Washington’s feeling in “Safe House.’’ He plays Tobin Frost, one of those misunderstood CIA operatives who’s “gone rogue,’’ who’s “off the reservation’’ - you can really tell because, for about an hour, his hair and goatee are beginning to go all Cornel West. For reasons this movie tries but fails to make clear, Tobin is a) named Tobin, b) extremely wanted for double-agenting, and c) in possession of information that would seem to exonerate his defection but that he needs an entire 115-minute action-thriller to bring to light.

After a tense early sequence, Tobin turns himself in at Cape Town’s American consulate (South Africa is the hot new place to film cheaply) and is dragged to an interrogation room inside one of the CIA’s so-called safe houses. He knows he’s about to be waterboarded, but he’s unfazed. That’s when we get a shot of Tobin seated with his legs crossed and his cuffed hands calmly folded, as though he’s waiting for a girlfriend to finish in a department-store fitting room. It’s a comical shot insofar as it’s supremely Denzel.

Here is a star in such complete command of his cool that he can’t even be bothered to look a little nervous about the prospect of torture. Frost sounds like just the right name for a man who barely winces in a crashed car, and who never seems out of breath even after a foot chase across the tin roofs of a shanty township (yes, “Safe House’’ is that movie, too).

Because he’s being hunted by a gang of heavily armed, extremely incompetent local thugs who want what he has, Tobin must be whisked away to a safer house by Matt Weston, an under-ripe field agent played by Ryan Reynolds. Matt’s determined to bring Tobin in. Tobin refuses to go without first instigating a half-dozen action sequences. At some point, the laughless hate-love relationship between these two makes you long for the wit in the script of “Midnight Run’’ or the chemistry of ambivalence that passes there between Robert De Niro and Charles Grodin.

At CIA headquarters in Langley, Vera Farmiga, Brendan Gleeson, and Sam Shepard intensify the dragginess through no fault of their own. Everything they do and say is procedural control-room talk. There’s more drama on C-SPAN, although Farmiga’s blouses emit a robust authority best described as “high Dunaway.’’

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