In New England we love our lighthouses. Beacons of safety in the stormy dark, they adorn the jagged coastline like timeless monuments to our maritime history. But lighthouses, especially in the pre-automation era, also gave rise to more unsettling feelings and questions. Who lives there, anyhow? What weird phenomena might lighthouse keepers witness, or imagine, during those long days and nights of lonely vigil, fog, and spray?
These questions also fascinated distinguished British composer Peter Maxwell Davies. For many years, Davies, 77, has lived on Sanday, one of the remote Orkney Islands north of Scotland, where lighthouses are crucial fixtures of the ruggedly romantic landscape. In 1979, Davies transformed his interest in local maritime lore into music when he completed “The Lighthouse,’’ a chamber opera in a prologue and one act. Since its 1980 premiere at the Edinburgh Festival, “The Lighthouse’’ has become one of the most popular of all 20th-century operas, having been performed by more than 100 different companies.
