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Showcasing the work of an outsider artist

Galleries

THIS STORY APPEARED IN
Boston Articles
January 31, 2012|By Cate McQuaid
(Page 2 of 2)

“Boston Does Boston V,’’ Proof Gallery’s annual celebration of local artists, is a group show that has the potential to be all too random. Proof tapped three artists, and each of those chose another. The six artists, all women, have put together a surprisingly cohesive and thoughtful show.

The installation work particularly stands out. Two of these small installations served as the basis for performances. Often, with performance art, the installation left over in the gallery amounts to an array of inscrutable relics. Not here. Alice Vogler’s “Center of the Human Color Sphere,’’ all in shades of gray, has strings and ribbons and yarn spilling in single strands out of beautiful glass jars off a shelf and into a great tangle on the floor. The title ironically suggests that the human color sphere, whatever that might be, is colorless and unraveling, yet frail and beautiful. Jennifer Moses’s paintings, such as “Over-Under,’’ coiling with lines, make an apt echo.

Maria Molteni’s “There is space for us’’ features a vintage dress, navy with white polka dots, hanging in a corner also painted navy with white dots - a lovely melding of domestic with cosmic. Beneath the dress, a shelf holds a smooth gray stone with a circle of white and a beautifully patterned wooden egg, which seems to cast a shadow of an apple. These read like pebbles left on a grave marker, acknowledging something large and mysterious. Here, too, another artist’s works reverberate: Susan Scott’s painting-like objects, which are swaddled in fabric.

Upstairs, Andrea Sherrill Evans pairs her silverpoint drawing of a spindly birch tree, “Marker #1,’’ a quiet, humble, fastidious work which she has rather violently splattered with a single spray of orange paint, with the installation “Reparations.’’ In it, she has tied and bandaged together previously split birch logs, as if she’s trying to rebuild a forest.

You have to take off your shoes to experience Faith Johnson’s “Vortex.’’ She has carved a contemplative space out of the gallery with crisscrossing strings. Visitors can go in on hands and knees and meditate. Johnson has placed some crystals on a mirror inside, unfortunately trite as objects of meditation. Like the late minimalist sculptor Fred Sandback, this artist builds a delicate, transparent architecture out of string. I’d be curious to see her grow this kind of work to a larger scale, one that doesn’t require crawling to enter.

JON SARKIN: Line by Line

At: VSA Massachusetts Open Door Gallery, 89 South St., through March 9.

617-350-7713, www.vsamass.org

BOSTON DOES BOSTON V

At: Proof Gallery, 516 E. 2nd St., South Boston, through Feb.

25. 617-702-2761, www.proof-gallery.com

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