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Girls honor Hank’s influence

MUSIC REVIEW

January 03, 2012|By Stuart Munro
  • Girls Guns and Glory (pictured here at South By Southwest in Austin, Texas, in 2010)  paid tribute to Hank Williams in a show             Sunday  at the Lizard Lounge.
Girls Guns and Glory (pictured here at South By Southwest in Austin, Texas,… (JESSICA HODGE/FILE 2010)

According to singer Ward Hayden, the ultimate motivation for the tribute to Hank Williams that he and his band, Girls Guns and Glory, put on Sunday afternoon is the big influence Williams has had on their music. The more immediate reason for the tribute, however, was to mark the occasion of that icon’s death 59 years ago on Jan. 1, and to celebrate the music he left behind.

These sorts of affairs can go two ways: faithful reiteration of the originals, or looser versions that allow more room for interpretation. Girls Guns and Glory went down both paths. For the first half of the show, they dialed things back in a manner intended to provide an explicit evocation of Hank. The band’s four members, augmented by fiddle player Jason Anick, swapped out their typical performance attire for suits and ties. Hayden also sported a fedora in the style that Hank typically wore, and sang into a microphone encased in a replica of the old Grand Ole Opry mike stand, complete with the WSM logo (for the Nashville radio station), but updated with the band’s name.

With Hayden emphasizing the natural plaintiveness in his voice, and guitarist Chris Hersch periodically echoing the sound of the straight steel guitar with his playing, the band ran through a representative string of Hank standards, among them an opening “Honky Tonk Blues,’’ exuberant renditions of “My Bucket’s Got a Hole in It’’ and “Setting the Woods on Fire,’’ and a fine duet version of “You Win Again’’ for which Hayden was joined by Miss Tess.

In the second half of the show the band moved, gradually, from strict homage to incorporations of its own sound. Hersch added some searing guitar to “I’m So Lonesome I Could Cry’’ in a way that brought out the song’s keening core. “Jambalaya (On the Bayou)’’ was kicked into full-throttle Cajun mode. “You Win Again’’ was reconfigured as loud, edgy, echoing blues. And when the band finished up its encore with three of its own songs, things had come full circle.

The Miss Tess-Rachael Price side project, the Sweet & Low Down, provided an added treat with its opening set. The band joined in the purpose of the occasion with a dreamy “Lovesick Blues,’’ and added covers of Patsy Cline, Doris Day, Wynonie Harris, Buck Owens by way of Ray Charles, and Elvis to a hard-swinging “Violent Love,’’ and other originals.

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