Piri Thomas, wrote of life in ‘Down These Mean Streets’

October 21, 2011|By Joseph Berger, New York Times
  • The book by Piri Thomas (above) was banned by some schools but became assigned reading in many others.
The book by Piri Thomas (above) was banned by some schools but became assigned… (tyrone dukes/NY Times/file…)

NEW YORK - Piri Thomas, the writer and poet whose 1967 memoir, “Down These Mean Streets,’’ chronicled his tough childhood in Spanish Harlem and the outlaw years that followed and became a classic portrait of ghetto life, died Monday at his home in El Cerrito, Calif. He was 83.

The cause was pneumonia, said his wife, Suzie Dod Thomas.

The memoir, a bestseller and eventually a staple on high school and college reading lists, appeared as Americans seemed to be awakening to the rough cultures that poverty and racism bred in cities. A new literary genre cropped up to explore the conditions, in books like “Manchild in the Promised Land,’’ by Claude Brown, and “The Autobiography of Malcolm X.’’

“Down These Mean Streets’’ joined that list. The memoir, Mr. Thomas wrote on his website, had “exploded out of my guts in an outpouring of long suppressed hurts and angers that had boiled over into an ice-cold rage.’’

The novelist Daniel Stern, reviewing the book in The New York Times, called it “another stanza in the passionate poem of color and color-hatred being written today.’’

In the memoir Mr. Thomas described how he was brought up as the only dark-skinned child among seven children, the son of a Puerto Rican mother, Dolores Montanez, and a Cuban father, Juan Tomas de la Cruz. His dark skin, Mr. Thomas recalled, made him feel like an outlier in his own family and neighborhood, where he was taunted about this looks. Even his father, he felt, preferred his lighter-skinned children.

He described the bravado, or “machismo,’’ that he affected on the streets. Protecting his “rep’’ led him to “waste’’ people who insulted him, he wrote. He sniffed “horse’’ - heroin - even though he knew the consequences. “The world of street belonged to the kid alone,’’ he wrote. “There he could earn his own rights, prestige, his good-o stick of living. It was like being a knight of old, like being 10 feet tall.’’

As a merchant seaman in the Jim Crow South, he wrote, he persuaded a white prostitute to sleep with him because, he told her, he was really Puerto Rican, not black. He then enjoyed stunning her by telling her she had just slept with a black man.

He returned home while his mother was dying in a poor people’s ward at Metropolitan Hospital and resumed his old ways - selling and using drugs and robbing people. In one holdup he wounded a police officer and landed in prison for seven years, a harrowing time he vividly evoked. It was in prison that he finished high school and began thinking about writing. He found, he wrote, that words could be used as bullets or butterflies. He called writing “the Flow.’’

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