Seeing the light in cancer story

Seth Rogen helps turn his friend’s screenplay into comedy-drama ‘50/50’

September 25, 2011|By Ethan Gilsdorf, Globe Correspondent
  • Seth Rogen (left) and Will Reiser (pictured at the Four Seasons Hotel) became friends while working on Da Ali G Show eight years ago. Their response to Reisers past cancer diagnosis is the basis of 50/50, a film written by Reiser and starring Rogen.
Seth Rogen (left) and Will Reiser (pictured at the Four Seasons Hotel) became… (Suzanne Kreiter/Globe…)

“You can’t pitch a comedy about cancer,’’ Seth Rogen said, recounting how his new film “50/50’’ got made.

“50/50,’’ which stars Rogen and Joseph Gordon-Levitt and opens Friday, tries to walk that funny-touching scalpel edge.

To clarify: The illness itself - what Rogen’s character, Kyle, calls “stage four back cancer’’ - isn’t cause for laughter. Rather, as is often the case, comedy stems from dark places. With “50/50,’’ the humor bubbles up from pain and clumsy human interaction. It turns out the premise of a massive, malignant tumor growing along a spinal column can provide plenty of laughs - if the material is handled carefully, and the jokes are among friends.

“To us that was never scary, the idea of blending drama and comedy, because we had all done it before,’’ said Rogen as he slumped into an armchair at the Four Seasons and harkened back to his days on the show “Freaks and Geeks.’’ The actor was in Boston with screenwriter Will Reiser earlier this month to promote their film.

“50/50’’ chronicles a chummy but otherwise distant friendship between Kyle (Rogen) and his cancer-stricken buddy Adam, played by Gordon-Levitt. When their tentative bond is suddenly saddled with medical tragedy, they tackle the situation, despite being awkward 20-something males already ill-equipped to speak of intimacies.

When it came time to convince a studio to green light “50/50,’’ it didn’t hurt to have the involvement of a heavy-hitter like Rogen, star of “The Green Hornet,’’ “The 40-Year-Old-Virgin,’’ “Knocked Up,’’ and “Pineapple Express.’’

“Having Seth attached not only as a producer but as a star certainly helped make the movie much more commercial,’’ said Reiser. In fact, Reiser, Rogen, and their producing partners didn’t even try to sell “50/50’’ based on an elevator pitch. “I just figured I’ll write it and then I’ll sell it,’’ Reiser said.

Not that Rogen even likes to “pitch’’ his movies. “None of my movies are really that pitchable,’’ Rogen said. As a producer, he’s more comfortable working with a completely written script. “Nothing we’ve done really looks good on paper. It was really awesome that Will was willing to just write. It afforded us a lot of creative freedom.’’

They both agreed that genre definitions and boundaries “get in the way.’’ They don’t go for discussions of “tone’’ either.

“We as filmmakers never talk about that,’’ Rogen insisted. “There’s never the ‘genre’ conversation. People like to know how to describe it to each other…’’

“For marketing purposes,’’ Reiser added.

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