Hearts remain hidden in earnest ‘Love Song’

STAGE REVIEW

Passionate ensemble, ambitious script

August 09, 2011|By Terry Byrne, Globe Correspondent
  • Beane (Gabriel Kuttner) and Molly (Georgia Lyman) in Orfeo Groups production of Love Song at the Charlestown Working Theater.
Beane (Gabriel Kuttner) and Molly (Georgia Lyman) in Orfeo Groups production… (ERIC LAURITS )

LOVE SONG Play by John Kolvenbach

Directed by: Risher Reddick.

Set, Cristina Todesco. Composer-sound design, Peter Bayne. Lights, Jen Rock. Costumes, Katherine O’Neill.

Presented by Orfeo Group at the Charlestown Working Theater. Through Aug. 27. Tickets: $20. 866-811-4111, www.orfeogroup.org

Playwright John Kolvenbach’s “Love Song’’ sketches out characters who are trying to find “the courage to want.’’ It’s an ambitious challenge, one the Orfeo Group takes on with an earnest and endearing understanding of the delicacy of the task.

In the company’s production at the Charlestown Working Theater, director Risher Reddick attends to every detail, guiding his talented ensemble and extraordinary production team through a script that starts out strong, only to fizzle to an odd and unsatisfactory end. At every step along the way, however, Orfeo Group serves the playwright while adding its own special magic. The result is a charming evening of bravura performances from an ensemble that includes Daniel Berger-Jones, Liz Hayes, Gabriel Kuttner, and Georgia Lyman, all of whom add color and complexity to flat characters who never quite achieve the volume Kolvenbach promises.

“Love Song’’ follows Beane (Kuttner), a lonely young man with limited imagination or hope in his life. His sister Joan (Hayes) is his polar opposite: driven, demanding, as likely to make an intern in her office cry as she is to pour herself a drink when she gets home. She and her husband, Harry (Berger-Jones), whose marriage is fueled by fast-paced banter that might be cruel if it were not so funny, try to engage Beane with dinner and conversation.

When Beane takes a personality test administered by the well-meaning Harry, he answers a question about joy and life with a response tinged with fear and death. Beane may be simple, but his innocence, as played by Kuttner, is charming and believable. Think Forrest Gump without the saintly platitudes.

But when Beane meets a woman named Molly (Lyman), whom he describes as a “liberator,’’ she awakens him to the possibilities in life he hadn’t allowed himself to imagine before. Molly is full of mystery, apparently arriving to steal Beane’s possessions, but deciding to steal his heart instead. This scene is delivered with brilliant comic balance by an aggressive Molly, who is annoyed there is so little to take, and a hapless Beane. “Why do you only have a spoon?’’ she demands. “Why would I have a fork if it’s going to lie to me?’’ he replies without irony.

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