From each of the projects he is showcasing this week, Harland takes a different kind of satisfaction. Sangam, with Lloyd and Hussain, was as risky a venture as he has ever done, he says. He wasn’t sure how his drumming would mesh with the tabla against just one melodic instrument. And at Lloyd’s insistence, Sangam performed and recorded the first time with no rehearsals, no music, and no plan.
“And it came out to be the most beautiful thing,’’ Harland says. “It taught us something about the wisdom and trust of Charles in the universe, as well as what can happen if you just let it be.’’
READER COMMENTS »
View reader comments » Comment on this story »