The whole kit and caboodle

Drummer Eric Harland takes versatility to extremes

August 05, 2011|By Siddhartha Mitter, Globe Correspondent
(Page 3 of 3)

From each of the projects he is showcasing this week, Harland takes a different kind of satisfaction. Sangam, with Lloyd and Hussain, was as risky a venture as he has ever done, he says. He wasn’t sure how his drumming would mesh with the tabla against just one melodic instrument. And at Lloyd’s insistence, Sangam performed and recorded the first time with no rehearsals, no music, and no plan.

“And it came out to be the most beautiful thing,’’ Harland says. “It taught us something about the wisdom and trust of Charles in the universe, as well as what can happen if you just let it be.’’

James Farm, meanwhile, is a completely different endeavor. Harland likens its spirit to that of a rock band. “We’re just some hip young guys trying to do something because we like each other, almost like you see these boy bands pop up, jamming in a garage.’’ He says they try to play songs with “a certain amount of epicness packed into five or six minutes.’’

His own band, however, is a renewed priority, Harland says. “I’m looking forward in the next few years to being able to really focus on it. And to see what happens, kind of allow my mind to be open to new ideas.’’

It’s unlikely Harland has ever been truly short of ideas. That’s why his old friend Moran welcomes this new direction.

“He definitely has strong ideas about how to present music,’’ Moran says. “He has worked with some of the best bandleaders in the business, so his perspective on how to lead a band is a valuable one. But he won’t know how valuable until he has to do it over and over again. There is a bright, bright future ahead.’’

Siddhartha Mitter can be reached at siddharthamitter@gmail.com.

Advertisement
Advertisement
|
|
|
|