The power of four rolled into one

SCENE & HEARD

Found Audio bandmates tune into their early influences to make their own sound

August 05, 2011|By Jonathan Perry, Globe Correspondent
  • Boston band Found Audio are (from left) Denny Kennedy, John Stricker, Terrence Mulhern, and John Bragg.
Boston band Found Audio are (from left) Denny Kennedy, John Stricker, Terrence… (Nikki Stricker )

FOUND AUDIO

With Moniker, Suit of Hair, Casey Abrams

and the Mysterious Strangers

At: the Middle East Upstairs,

Monday at 8 p.m. Tickets: $10. 617-864-3278.

www.mideastclub.com

It must first be said that the Dokken influences are not readily apparent. Nor is Found Audio’s collective history of listening to Fugazi or Fiona Apple anything you’d likely notice on the first - or 50th -spin of the Boston band’s subtly delectable debut album, “Chalk.’’

Still, those cumulative touchstones, plus many more (the Minutemen, R.E.M., er, Norah Jones) make up what the Found Audio foursome say has been the defining music of their lives. And it goes to the heart of the moniker they chose when forming three years ago.

“Found Audio is a collection of all of our influences,’’ singer-multi-instrumentalist John Bragg says over drinks with his bandmates at Allston’s Deep Ellum, a few doors down from the group’s rehearsal space. “And it’s about how we mesh together as a whole.’’

The name Found Audio was inspired, Bragg says, by Found magazine, a publication that throws open a perversely funny, occasionally poignant window into people’s lives via discarded detritus such as birthday cards, notes on napkins, and jarring kiss-off letters between jilted lovers.

Likewise, the 10 songs on “Chalk,’’ whose release Found Audio will celebrate with a show at the Middle East Upstairs on Monday, veer and swerve in tone and temperament. From the Midlake-esque baroque folk of the opener, “Walker, Riddley,’’ the album dips into the loping country-rock leanings of “It’s Not Love’’ and the languid, slacker pop of “Struck Out Again.’’ In between lie minefields and sunken treasures of the heart; ancient family plots and schemes; and odes to fleeting days and dreams.

The instrumentation, meanwhile -with its washes of acoustic and electric guitar and dusky flourishes of keyboard, clarinet, and banjo coloring the mix - is supple and sure-handed. Throughout, the harmonizing between Bragg and fellow singer-songwriter Terrence Mulhern and the pair’s moody lyrical imagery are at once lovely and fretful. “I think the best thing we came up with was, [it sounds as] if you put Simon and Garfunkel over Meat Puppets songs,’’ says drummer Denny Kennedy.

Kennedy’s comparison elicits self-conscious laughter from a group of guys who know they’ve made a richly rewarding, if slow-burning, record they claim surpassed even their own expectations and ambitions to create a lasting work.

Advertisement
Advertisement
|
|
|
|