A baseball doubleheader

REVIEW

Two exhibits show off photographers’ ability to frame the game

July 24, 2011|By Mark Feeney, Globe Staff
  • From the Leslie Jones Collection at the Boston Public Library, a photo of Ted Williams with a movie camera; Luis Tiant at the plate with Johnny Bench behind it during the 1975 Boston Red Sox-Cincinnati Reds World Series.
From the Leslie Jones Collection at the Boston Public Library, a photo of… (COURTESY OF BOSTON PUBLIC…)

SOX SHOTS

Griffin Museum by Digital Silver Imaging, 4 Clarendon St., through Sept. 19. 857-239-9240, www.griffinmuseum.org/ exhibition-digital-silver- imaging-boston.htm.

LET’S PLAY BALL and

BUILDING/IMAGES

Panopticon Gallery, 502c Commonwealth Ave., through Sept. 6. 617-267-8929, www.panopticongallery.com

Some sports are more photo-friendly than others. Think of how seamlessly baseball integrates pause within play. A base runner crouches before attempting a steal. A pitcher stops at the top of his windup. A hitter cocks his bat waiting for a pitch. These are already images, instants frozen in time. All they need to be hung on a wall are frames. The photographer Robert Adams has described the condition a great photograph aspires to as “a tension so exact it is peace.’’ Baseball fans understand.

For that matter, the sport has long reserved a special place for photographs in its folkways. Ask anyone who collects baseball cards.

So even as games are being played at Fenway Park, baseball is happening at the Griffin Museum by Silver Digital Imaging, newly opened in the South End, and at the Panopticon Gallery, in Kenmore Square. “Sox Shots,’’ at the Griffin, runs through Sept. 19. “Let’s Play Ball’’ is on until Sept. 6.

The South End facility is a satellite space of the Griffin Museum of Photography, in Winchester. The museum is in a handsome Dutch colonial building - handsome and a mite cramped. To compensate for its size, the museum has an additional operation in Winchester, as well as one each in Stoneham and Cambridge. This newest Griffin location is an airy, attractive space in the basement of A Street Framers, across the street from the offices of Boston Ballet and around the corner from Hamersley’s Bistro.

The Griffin’s founder and namesake, Arthur Griffin (1903-2001), was a New England photojournalist whose work appeared in the Globe, Life, Time, The Saturday Evening Post, and elsewhere. Among other accomplishments, he took the first color pictures of both Ted Williams and Joe Louis.

Both “Sox Shots’’ and “Let’s Play Ball’’ feature Griffin’s photographs. The most startling shot of Williams isn’t by Griffin, though. It’s “Ted Williams With a Movie Camera,’’ from the Boston Public Library’s Leslie Jones Collection. A charming image in and of itself, it’s also an amusing, if inadvertent, comment on Williams’s famous feuding with the press. Looking through a viewfinder, he has leapfrogged his print oppressors by joining the electronic media.

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