Jones alumni are reuniting for dances at ICA

July 10, 2011|By Valerie Gladstone, Globe Correspondent
  • Dancer-choreographers collaborating on Bill T. Jones Alumni: Summer Reunion at the Institute of Contemporary Art this week include (clockwise from top) Heidi Latsky, Arthur Aviles, Lawrence Goldhuber (center, with Siri Peterson, left, and Roy Fialkow, right), Sean Curran, and Andrea E. Woods.
Dancer-choreographers collaborating on Bill T. Jones Alumni: Summer… (ANDREA MOHIN/THE NEW YORK…)

BILL T. JONES ALUMNI: SUMMER REUNION Presented by Summer Stages Dance at Concord Academy and the Institute of Contemporary Art

At: ICA, July 15-16. Tickets: $22, $25. 978-402-2339, www.summerstages dance.org; 617-478-3103, www.icaboston.org

NEW YORK - Choreographer Heidi Latsky struts like a fashion model in a Lower Manhattan studio, spreading her arms wide with an intentionally forced smile, then spinning down to the floor, where she takes one sculptural pose after another before slithering, snake-like, off to the side. Even with no music, costumes, or special lighting, one can feel the yearning at the core of her soulful piece, “Gimp.’’

A former member of the Bill T. Jones/Arnie Zane Dance Company, Latsky recently rehearsed an excerpt from the work for the “Bill T. Jones Alumni: Summer Reunion,’’ which will be presented by Summer Stages Dance at Concord Academy and the Institute of Contemporary Art on July 15-16 at the ICA.

“Bill showed me how dance has the potential to be potently expressive, provocative, and evocative,’’ Latsky says, preparing to go over the sequence again. Along with five other prominent former members of the troupe - Lawrence Goldhuber, Arthur Aviles, Alexandra Beller, Sean Curran, and Andrea E. Woods - she will honor Jones’s legacy in “Summer Reunion’’ with work created for her own company.

Richard Colton, the director of Summer Stages Dance, came up with the idea for the extraordinary gathering. “We want to show audiences what happens in the creation of dance and how dance gets passed on,’’ he says. “That’s why we are looking at what it meant for these artists to work with Bill and Arnie, and how they mirror and modify that influence.’’ (In a post-performance dialogue, the choreographers will reflect on their experience with the Bill T. Jones/Arnie Zane Dance Company. Zane, who was Jones’s partner, died in 1988.)

Jones can’t be in Boston for the event, but he will certainly be there in spirit. All these men and women danced with his company at some point from its inception in 1983 into the early ’90s.

“I choose dancers by what my heart needed,’’ Jones says. “I wanted vivid people. I wanted to make them into changers who could lead. I didn’t want acolytes. I didn’t want to create a family; I’m too self-involved to be a dad. I wanted to build a community, with people who could transcend differences.’’

No one could mistake any of these choreographers for Jones imitators. Fiercely individualistic, each one has pursued a unique path since leaving his company.

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