A whiff of American literature

OP-ED | Renée Loth

July 02, 2011|By Renée Loth
(istockphoto )

THE ICONIC status of the “Twenty-five Books That Shaped America,’’ a new collection of essays by Thomas C. Foster, is evident in his subtitle: “How White Whales, Green Lights, and Restless Spirits Forged Our National Identity.’’

Like Dylan or Madonna, “Moby Dick’’ and “The Great Gatsby’’ need only a hint to be instantly recognizable to most Americans. With the patriotic bunting on the porch this weekend - and with the summer reading list beckoning - it’s intriguing to consider the American character through the prism of our national literature.

Unavoidably, perhaps, the titles suggested by Foster, a best-selling author and professor at the University of Michigan, will provoke argument. Not all are as clearly deserving as the two in the title. Why “Little Women’’ but not “Uncle Tom’s Cabin’’? Walt Whitman but not Carl Sandburg? (Or Woody Guthrie, for that matter?) Where’s Philip Roth, John Updike, Flannery O’Conner?

And how, how, could Foster have missed “All the King’s Men’’ by Robert Penn Warren - the best book on American politics ever written? Heartbreaking, vivid, and true, it’s a morality tale about power and a reminder that actions have consequences. Does it count for nothing that it won the Pulitzer Prize and the author was the nation’s first poet laureate? Clearly, it’s hard to contain a literary tradition that is so rich and varied, and that arouses such passion. Foster himself laments the impossibility of the task, and adds an appendix of 15 other books, just to be safe.

More frustrating is Foster’s slapdash approach to the promise of his book: that he will prove how these tomes forged America’s identity. It’s a bit of a chicken-egg dilemma. The themes many of the books share - rags-to-riches, self-invention, lonely seekers, a tradition of dissent - could be termed peculiarly American. But did these books create our national character or just reflect it?

The earliest authors certainly tried, giving advice on the right way for the inchoate nation to behave. “The Autobiography of Benjamin Franklin’’ features his famous “thirteen virtues,’’ including industry, justice, frugality, and self-reliance. “What old Ben is really interested in is shaping a version of the American master-story,’’ Foster writes, “…to use the myth of himself as a template for the myth of all of us.’’ Henry David Thoreau in “Walden’’ and Walt Whitman in “Leaves of Grass’’ enumerate American virtues almost 100 years later, and there is plenty of overlap.

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