Prog lite

Eksi Ekso scales down the band and ramps up the rock

May 27, 2011|By Jonathan Perry, Globe Correspondent
  • The trio Eksi Ekso (from left: Sean Will, Tom Korkidis, and Alex Mihm) has trimmed down from a sextet.
The trio Eksi Ekso (from left: Sean Will, Tom Korkidis, and Alex Mihm) has… (BORU O’CONNELL )

EKSI EKSO

With Action Verbs, Ghost Box Orchestra, The La De Les

At: Middle East Upstairs, Thursday, 8 p.m. Tickets: $10. 617-864-3278, www.mideastclub.com

How many bands can cut their number in half — and then manage to sound twice as sonically expansive, richly layered, and epically ambitious? Boston’s Eksi Ekso is that rare example of a unit that seems to have grown bigger by reducing in size (although singer-multi-instrumentalist Tom Korkidis does credit multi-track recording and an orbiting collective of talented friends). Its new album, “Brown Shark, Red Lion,’’ out on the indie label Mylene Sheath (also home to Boston bands including post-rockers Caspian and Junius) is awash in brass and strings, and powered by elastically percussive grooves and adventurous prog-rock accents.

“We wanted to do something that kind of busted the doors open,’’ says Korkidis, whose band hits the Middle East Upstairs next Thursday as part of a spring and summer tour. “I think we felt a sense of stagnation doing darker kind of stuff. I wanted to go from bleak to Technicolor. [Keyboardist-trumpeter] Sean [Will] and I come from jazz and classical backgrounds, but we’ve always played in rock bands.’’

Together with drummer Alex Mihm, the three members of what began as a sextet began improvising ideas as a follow-up to 2008’s debut, “I Am Your Bastard Wings,’’ that put a brighter spin on Eksi Ekso’s brooding post-rock approach. The new material sounded good, they thought, and felt even better.

“We just found that a lot of the stuff we were doing was more upbeat and synth-based and fun,’’ Korkidis recalls. “At that particular time we started to realize, ‘This works with the three of us, so why do we need to deal with a democratic process of six people … as far as doing something that’s a little bit funky, and maybe a little bit more open, in terms of what we’re willing to try?’ I thought as musicians we could do a lot more.’’

Korkidis admits that thinning the group’s ranks wasn’t the easiest of experiences or conversations (original viola player Beth Holub continues to collaborate with the streamlined version of the band). But the guitarist, who also plays bass and keys, sounds energized by the change in direction and the new album’s dramatically dynamic shifts and multi-tiered levels of melody would seem to prove his instincts right.

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