Catharsis with Linkin Park

February 03, 2011|Sarah Rodman, Globe Staff

Maybe it’s the brutal weather and its attendant aggravations — the shoveling, the icy roads, the frozen pipes — but there was something deliciously cathartic about the moment Linkin Park frontman Chester Bennington began repeatedly shrieking “put me out of my misery’’ while performing “Given Up’’ Tuesday night at the TD Garden. You could feel a ripple of eager agreement move through the crowd.

Given the abysmal traveling conditions and the failing health of commercial arena rock in general, it was a fairly sizable crew. Filling about two-thirds of the venue, including a packed general admission floor, the all-ages audience enthusiastically latched onto the opportunity to collectively blow off some steam with a finely calibrated soundtrack of howls and murmurs, big riffs and meditative burbles, stomping backbeats and intricate grooves provided by the California rockers.

Performing on a stark, multilevel stage that jutted into the floor in front of a massive video screen that projected images in austere black and white, the band alternated between its brawny, insidious radio hits of yore and the more measured, electro-leaning tracks of its current album “A Thousand Suns’’ for 100 sweaty minutes.

The former drew the biggest response as fists pumped and small mosh pits broke out on the floor during the fervent, angst-ridden yowls of “Breaking the Habit,’’ “Bleed It Out,’’ “In the End,’’ and the still bracing “Numb’’ with its simple, icy synth figure sending shivers as a flailing Bennington unloaded his inner turmoil and rapper/instrumentalist Mike Shinoda served as cool counterpoint.

While the response was more muted to many of the newer tracks — save singalong sing-song single “Waiting for the End’’ — LP made a strong bid for approval with the percussively seductive “When They Come for Me,’’ the percolating, almost Depeche Mode-esque “Burning in the Skies’’ and the glimmer-of-hope anthem “Iridescent.’’

Aussie-British-American collective Pendulum opened with a frantic, techno-metal-pop hybrid that evoked everyone from Prodigy to Oasis to the headliners.

Sarah Rodman can be reached at srodman@globe.com.

Advertisement
Advertisement
|
|
|
|