“I just want to say one word to you. Just one word . . . plastics.” When Mr. McGuire offers this advice, if you can call it that, to young Benjamin Braddock in the 1967 film “The Graduate,’’ is it possible he had “boob jobs, credit cards, and our quest for perfection” in mind? “[O]ne cannot understand America,” Laurie Essig writes, “without understanding plastic.” Like Mr. McGuire, Essig believes that understanding plastic is the key to understanding contemporary America.
Sounds absurd, doesn’t it? But in this fast-paced book, Essig, a sociologist at Middlebury College, makes a strong case for the idea that plastic — both in the form of money (e.g., credit cards and other forms of easy credit) and in the form of surgery (e.g., breast jobs, nose jobs, etc.), has become Americans’ favorite problem-solving tool, whether they can afford it or not. “We wish the world were different. We wish we were different. The solution, it seems, is plastic.”
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