‘The Fighter’ packs a punch

Powerful story, performances are a great combo

December 09, 2010|Ty Burr, Globe Staff

The thing about boxing movies is that they’re never really about the boxing. They’re about everything else the fighter has to contend with: family, friends, anger, addictions, the often-corrupt machinery of professional sports, the body’s failure in the face of age and abuse. David O. Russell’s “The Fighter’’ is no different. Otherwise it would place Micky Ward’s legendary 2002-2003 trio of fights with Arturo Gatti at the center of the movie instead of relegating them to a mention just before the end credits roll.

A Ward biopic without Gatti? That’s like a Muhammad Ali movie without Joe Frazier. Yet “The Fighter’’ is this close to a triumph: a movie that steeps us in the grit of its time and place — Lowell, Mass., in the 1990s — and electrifyingly dramatizes Ward’s battles with the family that almost loved him to death.

The first person we see is Micky’s half-brother Dickie Eklund, and it’s a horrifying sight. Christian Bale has gone back to his skeletal “Machinist’’ weight for the role. His eyes bright and hollow, he sits on a couch for an HBO interview and proclaims his readiness for a ring comeback. Everyone but Dickie seems to realize he’s in a documentary about crack addiction.

Dickie had his shot in 1978, when he knocked Sugar Ray Leonard to the canvas (and he’d be the first to throw a punch if you suggest Leonard might have slipped). Now he’s training his kid brother (Mark Wahlberg), with constant input from the boys’ pit bull of a manager-mother, Alice (Melissa Leo), and her seven fearsome daughters. No wonder Micky’s record in the ring is inconsistent — he has never drawn a breath for himself. Every hook, every jab, is second-guessed by people who know better.

“The Fighter’’ spans the years 1993 to 2000, when Ward pulled away from his family to make a name for himself. After a disastrous bout against an over-matched last-minute replacement (Mike Mungin; the fight actually took place in 1988), Micky understands he’s fighting Dickie’s battles, not his. With the backing of his girlfriend, Charlene (Amy Adams), he finds a new manager and new trainers, slowly pulling himself up the rungs toward title contention. It helps that Dickie’s in prison for much of this time, after a ridiculous shakedown scheme to raise money for his brother has gone bad.

Indeed, at its punchy, profane best, “The Fighter’’ struts along the line between melodrama and comedy. The first time Dickie jumps out a crackhouse window into a dumpster to avoid his mother, it’s alarming; the second time, it’s farce. If the older brother is known as “The Pride of Lowell,’’ you sense that Lowell’s more than a little embarrassed about the honor.

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