Joyce Carol Oates is a smart, bold, insightful writer, but her short stories are puzzling at best. This accomplished novelist, incisive critic, and nimble essayist often dons the cape of the Goth to write short fiction. “Sourland,’’ Oates 23d collection of stories, is by turns shadowy, cold, threatening, degrading, and brutal. The macabre narratives, including tales of vicious rape and pedophilia, are replete with graphic horror.
In the title novella, “Sourland,” newly widowed Sophie Quinn copes with the first stages of shocking loneliness. Through the mail come oddly shaped envelopes from a furtive man named Kolk in Sourland, Minn. Enticed and unnerved by the attention, she wonders what Matt, her husband, would do. “Hard not to think, the husband had abandoned her to this space. Hadn’t he promised when they’d first fallen in love , I will protect you forever dear Sophie! — in an extravagance of speech meant to be playful and amusing and yet at the same time, serious, sincere. And so — he’d abandoned her.”