Mr. Conrad took on US presidents from Harry S. Truman to George W. Bush, mostly in the Los Angeles Times, where he worked for 30 years and helped the newspaper raise its national profile.
He was fierce in his liberalism and expressed it with a stark, powerful visual style. Southern California political junkies for decades would start their day either outraged or delighted at a Conrad drawing.
The Times said in story yesterday that its longtime publisher came to expect that his breakfast would be interrupted by an angry phone call from then-governor Reagan or wife Nancy, peeved by a Conrad cartoon that made them look foolish.
Mr. Conrad’s favorite target was Nixon. At the time of the president’s resignation, Mr. Conrad drew Nixon’s helicopter leaving the White House with the caption: “One flew over the cuckoo’s nest.’’
“He always said he was most proud of being on Nixon’s enemies list,’’ his son said.
In a 2006 interview with the Associated Press, Mr. Conrad compared his favorite target to President George W. Bush.
“I felt two ways about Nixon. First, how did an idiot like that become president,’’ he said. “And, secondly, how soon can we get rid of him. Almost the same thing applies to Bush.’’
One of Mr. Conrad’s final images showed Bush as Sisyphus, rolling a huge boulder labeled “Iraq’’ up a hill.
Democratic politicians weren’t safe from his barbs either.
After Jimmy Carter admitted that at times he had “lusted in his heart,’’ Mr. Conrad drew him mentally undressing the Statue of Liberty.
Mr. Conrad and his identical twin James were born in Cedar Rapids, Iowa, in 1924, the sons of a railroad worker who dabbled in art.
The Times said Mr. Conrad later joked that his first political cartoon was a scrawl on the bathroom wall at his elementary school.
After serving in the Pacific during World War II in the Army Corps of Engineers, he majored in art at the University of Iowa, and an old family friend convinced him to draw cartoons for the college paper.
His first job after college was at the Denver Post, where he worked for 14 years before moving to Los Angeles.
Mr. Conrad worked in the heyday of political cartoonists, and he was among the elite.
His total of three Pulitzers is matched by just two other cartoonists in the Post-World War II era.
By late in his life, only a small number of newspapers had cartoonists on staff, and many of them had abandoned the traditional single-panel image for a comic-strip approach that Mr. Conrad disdained.
In addition to his son, Mr. Conrad leaves his wife, Kay; another son; and two daughters.
