Bingham still riding high

June 03, 2010|Jonathan Perry, Globe Correspondent

CAMBRIDGE — What a difference a year — and an Academy Award-winning song — makes. One year ago, Texas-bred Ryan Bingham was another in a long line of sturdy singer-songwriters with a feel for earthy Americana and a flair for granting time-worn phrases (“Dollar a Day’’; “Hard Times’’) fresh relevance.

Having a preternaturally weathered voice whose grain splits the difference between Springsteen, Stephen Stills, and Steve Earle never hurts, and neither does having a rambling, roaring band; but it was “Crazy Heart’’ — the movie that won Jeff Bridges his first Oscar — that likely changed Bingham’s fortunes forever. Namely, he now may have one.

Co-writing (with T Bone Burnett) “The Weary Kind (Theme From Crazy Heart),’’ which won both an Oscar and Golden Globe as best original song, the soundtrack has catapulted the 29-year-old singer to the front of the wrangler cowpoke pack.

During a 95-minute, sold-out show at T.T. the Bear’s, he and his Dead Horses met the hype head-on, with a hail of slide guitars and stomping, rough-and-tumble songs about open roads and closing doors. One of the set’s quiet moments was a hushed acoustic guitar-and-mandolin reading of the song we were all there to hear, and it really was a burnished beauty. It was a testament to his confidence that he didn’t reserve “The Weary Kind’’ for an encore, knowing he had plenty more material where that came from — if none quite as comely.

Guitarist/mandolinist Corby Schaub offered some Duane Allman-esque slide guitar on opener “Day Is Done,’’ which went from wistful to walloping before fading back into contemplation. That’s how a lot of his songs worked: rising, cresting, and crashing in a beautifully bleary sprawl akin to a freight train — or Uncle Tupelo — coming off the rails.

But the string of several selections — namely “Hard Times,’’ “Depression’’ (a promising number from a new album, “Junky Star,’’ due out this fall), and “Endless Ways’’ — brought their melodic similarities to the fore. Proof positive that there’s always room for improvement — even when you’ve got an Oscar to polish.

Opener Marc Pinansky, flying solo from fronting ’70s-style local boogie-rockers Township, got things rolling with a charming 30-minute acoustic set of shaggy folk-pop.

Send comments to gsection@globe.com

Advertisement
Advertisement
|
|
|
|