Making the taste of this end of the earth

March 21, 2010|Joe Ray, Globe Correspondent

GENERAL ROCA — Speeding down the road, Hans Vinding-Diers shouts over the phone:

“V2 point two. Point four today? Pigeage and vit. Pump over five minutes. Open.’’

Turning onto the dirt road to Bodega Noemía de Patagonia, the car’s wheels lose contact with the ground. With one hand on the phone and the other on the gearshift, Vinding-Diers is doing what my father calls “fancy knee driving’’ and cackling like a madman.

It sounds like he’s homogenizing wines around the world but instead, we pull into the winery and he continues the conversation with his assistant Jesse Katz face to face.

It’s all part of harvest time at the end of the world.

I spent a week in Patagonia picking, hauling, destemming, and crushing grapes with my feet at Vinding-Diers’s Bodega Noemía and the neighboring Bodega Chacra, run by Piero Incisa della Rocchetta, an Italian wine magnate. Vinding-Diers, a Dane, has worked at top wineries on a few continents and Rocchetta is heir to the throne of Tuscany’s Tenuta San Guido estate.

Through them, I learned the winemaker’s job at harvest — when the winery gates are locked — and that Patagonia still maintains its rough, isolated frontier feeling. Throughout history, explorers, adventurers, and visionaries like Darwin and Saint-Exupéry were drawn to this place.

Winemaking in Patagonia sounds like a bad idea. This is the place so far from everything that Butch Cassidy and the Sundance Kid came here to hide. This is the country where six bucks buys you a steak as big as your head. This is the land that made the late Bruce Chatwin, author of “In Patagonia,’’ write: “From its discovery, it had the effect on the imagination something like the moon.’’

Though reports indicate that Chatwin was never one to refuse a drink, at no time did he mention Patagonia as a good spot for winemaking, leaving one to wonder why two of the best winemakers in the world would bother. At no time did Chatwin mention Patagonia as a good spot for winemaking. Yet Noemía and Chacra are producing tiny quantities of world-class wines, and others may soon follow.

Compared with myriad and slick operations farther north in Mendoza, winemaking in Patagonia is a do-it-yourself adventure. Far away from easy access to the right equipment, Bodega Noemía’s first vintages were made in fiberglass tubs usually used as septic tanks. That same year, Vinding-Diers’s partner, Countess Noemi Cinzano, fractured a vertebra using a pole to “punch down’’ grapes.

That said, they are spoiled now by the winemaking they can do. Grapes are hand-picked and destemmed, and all of Vinding-Diers’s wines are crushed by foot — luxuries you pay dearly for in Europe.

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