Reading John D’Agata’s new booklong essay “About a Mountain” is like finding your GPS on the fritz, getting lost, and then, suddenly, realizing you’re on the right road after all, and headed for an epiphany or two.
D’Agata’s style has the off-kilter air of free association about it, as if he’s jumping randomly from first thought to first thought. When you open “About a Mountain,” you know that his subject is Yucca Mountain, outside Las Vegas, and the much-debated plan to turn it into a nuclear waste bin; but D’Agata’s prose skips among descriptions of 1,000 seemingly unrelated objects and observations - of plastic pens, of a highway cloverleaf, of the cost of a towering hotel. You don’t quite follow why he’s devoting page after page to Munch’s “The Scream,” or to a “neon boneyard” where old signs go to die, until you do - and then the book’s connections dawn on you like a reverberating rhyme in a poem.