Fresh starts for a new year

January 24, 2010|Liz Rosenberg, Globe Correspondent

How lovely to begin a new year with a fresh batch of children’s books, including a baby’s concept book, a brand new love story, and four classics newly gathered together under one snowy roof.

“My First Memories: An Early Album’’ makes it possible to start baby’s new year with pictures both fictional and real. It’s such a radical, yet simple idea - but so it often goes with concept books. On one page we see an imaginary illustrated creature, i.e. “Baby polar bear likes to be held.” Facing it is a photograph of a mother lifting her baby: “I like being held, too!” The real ingenuity of “My First Memories’’ is that the photos can all be removed and replaced with your own shots of your baby showing “I go for walks, too,” and so on. This means the book works both as an interplay of imaginary and real images and as baby’s very first photo album. It’s hard to get much cleverer than that.

Love stories are not easy, and they don’t get any easier when written for children. The recipe for such tales resembles something like baking: requiring sweetness, lightness, a touch of flavor, and a sense of humor. Peter McCarty’s “Henry in Love’’ succeeds on all fronts, making it a perfect Valentine’s Day read and a fine picture book about love and friendship the rest of the year.

The relationship between Henry and his classmate Chloe begins slowly and delicately. Henry’s a fast runner, so is Chloe. Henry shows off his best somersault; Chloe executes “a perfect cartwheel. Henry was impressed.” In fact, “[h]e thought she was the loveliest girl in his class.” All day long Henry has been hanging onto his special snack from home - a fresh blueberry muffin of the deepest, richest blue. When his seat is moved next to Chloe his love is put to the test. Will he trade that miraculous blue muffin for Chloe’s carrot?

McCarty’s “Hondo & Fabian” was a 2003 Caldecott Honor Book and New York Times Best Illustrated Book. It’s easy to see why. McCarty uses the blank spaces of his cream-colored pages with assured artistry, allowing time to pause or stop completely, allowing silence to speak as clearly as words or pictures. These open spaces frame each image, as if cherishing each moment: eating a sandwich; calling at a friend’s door; heading downstairs to the kitchen; playing tag on the playground.

“Henry in Love’’ affects the reader like a fine Japanese print. McCarty utilizes rich, simple colors - deep blue, rosy reds. He provides a marvelous blend of the mundane (Henry using the toilet, “getting ready for the day”); the dream-like (Henry’s crush, Chloe, is perpetually surrounded by flower petals,) and the ornate: playground trees rendered with hundreds of tiny drawn leaves.

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