John Kuntz gives an exceptionally brave performance in “The Salt Girl,’’ and not just because he performs one scene in the nude and another in a panda suit.
That may make “The Salt Girl’’ sound merely gimmicky. It’s much more than that. True, this one-man play, written by the actor, has gimmicks aplenty, including a “Hollywood Squares’’-style, floor-to-ceiling backdrop containing nearly two dozen TV sets, on which flicker images that range from humdrum to hallucinatory.
But it is the tormented human being in front of those monitors who commands most of our attention. His last name is Quint (he never tells us his first name), and within moments of his arrival onstage he is in the middle of a suicide attempt. Then the phone rings, first with an obscene call, and then with the news that his father has been in a serious car accident and is in a coma, near death.