Tours de force for young readers

August 23, 2009|Liz Rosenberg, Globe Correspondent

The world of children’s books is an unbelievably capacious place, and anyone who doubts it should take a look at this month’s two offerings, standing as they do at opposite ends of a continuum. One has to love an art form so malleable it makes room for this much variation - it also helps explain why children’s book librarians are among the happiest and best-read people on earth.

Parked very nearly at the beginning of the young reader’s spectrum is a nearly wordless picture-book tour de force by an author with the unlikely nom de plume of “Mr. Warburton’’ (né Thomas Warburton) - creator of popular television cartoons including “Codename: Kids Next Door.’’ “1000 Times No’’ is Warburton’s first children’s book, but one hopes it will not be his last. Picture books live somewhere between the speed of a poem and a painting, yet possess all the seeming power of a novel - often within fewer than 100 words, and Warburton gets it just right. The plot line, such as it is, could not be simpler. A mother tells her diapered child, “All right, Noah, dear. It’s time to leave,’’ and the child pitches a tantrum with more than three dozen linguistic and visual variations of the word no. Some get full pages, but most are divvied up into comic-strip style panels. Among my favorites are pig latin (“oh-nay’’), complete with pig snout; Morse code; cowboy (“nooooope’’); robot (“negative’’); zulu (“tsha’’), with mask; tricycle license plate; standing with back turned and saying it backwards; skywriting; spelling it out in peas on a plate; hurling it discus-style in ancient Greek. Even his name, Noah, contains the no word.

Of course children’s picture books are not just about repetition but the musical interplay of repetition and variation, so it is partly the sequencing of all the nos that account for its charms, and the utter transfiguration of the toddler from panel to panel, which gives the reader something of the true taste of frenzy and comedy that accompany real-life tantrums. The baby has a rubber face and body a la Mo Willems, and Warburton’s confident use of the cartoony line lends charm and dynamic movement to the book. Any child still young enough to have a meltdown will cherish the wild humor of this book. The color palette of “1000 Times No’’ stays mostly with baby-room pastels of pale blue, yellows, rose-washed reds, and toothpaste greens. Warburton’s line is loose and bold. Endpapers identify all 40 ways of saying no, from Russian to Hindi to “tin cans connected by string.’’ No library should be without it.

Advertisement
Advertisement
|
|
|
|