Public Enemies

Shoot-outs, and a script full of holes

July 01, 2009|Ty Burr, Globe Staff
(Page 3 of 3)

What remains undiminished is Johnny Depp’s almost unholy screen magnetism. The actor looks surprisingly like Dillinger - a movie-star version, anyway - and the trim moustache and blocky bad-boy haircut become him. He gives the criminal shades of confidence and quiet daring and, behind it all, an unsolved melancholy that’s the movie’s one fresh note. In a lovely scene late in the game, Dillinger walks unnoticed through Purvis’s local FBI headquarters, marveling silently at the piles of evidence that have failed to capture him.

In another, the hero spends his final evening in a movie theater watching the MGM gangster film “Manhattan Melodrama,’’ and Mann cuts back and forth between Clark Gable onscreen, Dillinger in the audience, and the gathering agents outside. The scene shows a public enemy communing with his Hollywood twin, but it’s really about one generation’s king tipping his hat to another’s. The hat fits, even if the movie around him doesn’t.

Ty Burr can be reached at tburr@globe.com. For more on movies, go to www.boston.com/movienation.

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