In his hands, ukulele is more than a novelty

March 11, 2009|James Reed, Globe Staff

Dent May knows that when you take the ukulele seriously, chances are most people won't take you seriously. And when you sing like a droll dandy - a swinging hybrid of Morrissey and Bing Crosby - and wear smoking jackets and Coke-bottle glasses that bring to mind Truman Capote after a hipster makeover, then you're really appealing to a niche audience.

"Definitely there are people who dismiss me completely because they're so angry that I play ukulele," May, 23, said last week from Rock Island, Ill., where he and his band had just finished recording a session for Daytrotter.com. "There's obviously this novelty to the instrument, but I like that aspect at the same time. I kind of enjoy polarizing people."

May's musical persona isn't as much of a put-on as his aesthetic would suggest, though. "My visual style is a little kitschy," May concedes, "but my record is super sincere and personal."

Indeed, his new debut, "The Good Feeling Music of Dent May & His Magnificent Ukulele," is a swinging-'60s valentine to underdogs, wallflowers, nostalgia, and misadventures in love.

It turns out May, who opens for A.C. Newman at the Paradise Rock Club on Saturday, has a soft spot for the down and out. He champions people like the protagonist of his song "Howard," a washed-up rock 'n' roll singer who's ready to live again. "Howard's going bald now/ He feels like a hack/ He thought that he was burned out/ But he's back." Over a breezy beat and tambourine taps, May sings and performs with such glee that it's impossible to feel sorry for the song's sad sack.

Other times May's social commentary can cut a little deeper, until you don't know if he's undermining or defending his characters. On "College Town Boy," a cheeky ode to the poor guy who's full of excuses about why he hasn't left, he does both: "College town boy/ How does it feel to be nothing?/ Since graduation day he feels like a fraud/ He still regrets he never studied abroad/ He's never been to Paris, never to Prague/ Oh, my god."

May had the idea for his debut long before he had the music. The album's title refers to the first CD he ever bought: "The Good-Feeling Music of the Big Chill Generation." It was essentially a knock-off of the soundtrack for "The Big Chill," an oldies compilation of harmony-drenched groups, like the Mamas and the Papas, that would later influence May's sound.

The Mississippi native remembers feeling a creative itch at an early age - singing in his church's youth choir, performing in school plays, taking voice lessons. He picked up his first ukulele, a toy version lying around the house, when he was about 7 years old, and the first song he ever learned, a cover of the Four Preps' "26 Miles (Santa Catalina)," appears on his debut.

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