"The Fall" is what you'd get if you told a fiendishly gifted graphic illustrator the plot of "The Princess Bride" and sent him off to come up with his own version. Years in the making, shot with camera throttles wide open in 18 countries, this fairy-tale-within-a-tale is a personal labor of love for filmmaker Tarsem Singh ("The Cell") and a work of gorgeous, lunatic ambition. As a movie, it's kind of a mess.
Still, "The Fall" begs to be seen for the elements that Tarsem (the director's preferred nom du cinema) has stuffed into it like a confectioner with ADHD lavishing care upon a cannoli. Swimming elephants, dastardly governors, beautiful women with avant-tribal face masks, labyrinths of despair, and a young adventurer named Charles Darwin are just some of the elements that swirl around the film's slender narrative thread.