A fiber artist's patterned life in New Brunswick

April 06, 2008|Kathy Shorr, Globe Correspondent

LAKEBURN, New Brunswick - "Knitting is in again," author Margaret Atwood said in a recent radio interview. In Atlantic Canada, I'm not sure it ever went out of style. The weather here is like New England's, plenty of rainy days and even longer winters. That means lots of time for needlework.

It's what people here have done for centuries. The shops sell knit gloves and socks, crocheted shawls, hooked wall hangings, woven placemats, and more.

Just a few miles east of Moncton, London-Wul Fibre Arts brings together the old and new aspects of handwork as a new économusée, a small network of skilled artisans who work full time on their craft. Each économusée welcomes the public and is a combination of cottage industry, open studio, museum, and store, offering demonstrations, workshops, exhibits, supplies, and finished items for sale.

At London-Wul, owner Heidi Wulfraat devotes herself to the techniques and traditions of hand spinning. But spinning is only one part of the experience. Wulfraat raises sheep, goats, and rabbits, shears them for their wool, collects plants on her land to produce dye, spins and hand-dyes the wool, and then creates one-of-a-kind designs.

Much of her business comes from selling supplies, among them skeins of colorful hand-dyed wools, hand-turned knitting needles, pattern books, and kits to make your own project.

But this was hardly what she had in mind when she and her husband bought these 140 acres in the mid-1990s. Wulfraat has a degree in animal science, and her flock includes about 60 animals, including 30 angora rabbits, seven angora and cashmere goats, and 17 sheep, including Shetland crosses, Horned Dorset crosses, Lincoln and Romney crosses, and pure Jacob sheep. There are also two dogs and a smattering of geese and chickens.

"Making a living with needlework was nothing you'd know at the time," she says, "but looking back it was there." She grew up in a household steeped in handiwork. "My grandmother supported her children on embroidery at some point, and she lived with us. Even my brothers did some needlepoint."

After college, Wulfraat apprenticed at a textile museum in Dorchester, southeast of here, to learn to spin wool, and continued exploring on her own and with others to learn felting, rug hooking, and lacemaking.

Some of her study partners show up for a weekly "sock walk," taking an evening stroll before they settle down to knit. Another night it's a group of lacemakers working together to make lace patterns out of silk, linen, and wool.

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