Instead of offering stories and long introductions, Springsteen kept the commentary to a minimum. "Is there anyone alive out there?" He shouted it twice, in a fierce voice, before launching into the pulsing new anthem "Radio Nowhere." That inquiry colored the night as Springsteen, dressed along with the E Street Band head-to-toe in black, careened through 2 hours and 15 minutes of fresh and vintage material with signature zeal, often shrugging off his guitar, slinging on another, and charging into the next song without a break.
"We learned more from a 3-minute record than we ever learned in school," he sang on "No Surrender," and Springsteen seems to be taking those lyrics to heart this tour. He alluded once more to the current state of affairs in the United States - the loss of civil liberties and attacks on the Constitution - but otherwise let swelling choruses and searing guitars do the preaching. It's as if the time for discussion had passed, and we'd moved into a moment that called for nothing short of passion - the sort you might find in a Springsteen song.
For example: the hard, honking blues of "Reason to Believe," the pummeling love song "She's the One," or songs of uncommon faith like "The Rising," "Badlands," and "Lonesome Day." While some of the new songs pack a lighter sonic punch than the vintage anthems and sidestep topicality, there's inspiration to be found in the sweet, irrepressible pop of "I'll Work For Your Love" and the jangly gem "Girls in Their Summer Clothes," which worked like balm for the soul.
That last song kicked off an encore set that ranks among the most searing and spirited in memory: a brooding, sinuous read of "Jungleland," rocket-powered "Born to Run," an effervescent version of "Dancing in the Dark," and show-closing "American Land" - an immigrant song that capped the night, appropriately enough, with the sound of chiming guitars and a tale of broken dreams.
Joan Anderman can be reached at anderman@globe.com.
