Easy, readers

For the sultry season of repose and indolence, the best books to dive into

June 10, 2007|Gail Caldwell

A poet friend was on her way to Spain last month, and called the day before the flight to ask what novels I might recommend. Given that the criteria for international travel are different from those for, say, a trip to a Maine lake, we factored in the usual cross-cultural components: Must be lightweight enough, literally, to justify being hauled thousands of miles; must be substantial enough for the same reason; must be transcendent enough to yank one out of an existential crisis if one is found staggering on the streets of Cordoba alone. She wound up with two slender, eminently deserving novels: Philip Roth's "Everyman" and Ian McEwan's "Saturday" -- one by an American and one by a Brit, the first about the decline of life and the second about its advance . Altogether, I hoped , she would find them a lovely set of bookends for the mind. She called a week later to say her host had made off with both works, so she had returned to the primary source, and was writing poems instead.

All of which is to say that reading in the lighter months is an activity that involves more than simply putting eyes to page. Like gazing on pictures of Greece or Chilmark months or years before you get there, the point is often the planning of the journey. One must choose well and larkily. If you lug along Robert Musil on your first trip to Prague, for instance, four out of five of you (I would be one of the four) will sneakily leave it in an airport loo, and then feel bad for having done so. If, on the other hand, you opt for James Patterson , the same discard will happen, along with atrophy of the mind and spirit. Best to go for the middle ground -- the contemporary equivalent of Jane Austen rather than "Ulysses" or the penny-pulps. Or take one of each: the soothing, the brilliantly demanding, the guilty pleasure.

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