Given great material, however, her skills are nearly as blinding as the country singer's twinkling, elaborate stage set -- complete with an array of 13 video screens -- was Friday night.
Mostly she stuck to the good stuff both old and new. With the help of her sturdy seven - piece band, she soared through the anthem of optimism and faith "Anyway," duetted delicately with brother Marty Schiff on the bittersweet "Tryin' to Find a Reason," dipped into the classic country barrel for a sassy take on Loretta Lynn's "You Ain't Woman Enough , " and stopped the show with a Category 5 version of the bluesy "Broken Wing."
The more assembly - line Nashville stuff, peppy pop sing alongs like "My Baby" and "Wild Angels," coasted along pleasantly under the power of McBride's pitch - perfect sense of melody and froth.
While the set closer "Independence Day" -- another in a trail of poignant McBride "issues" numbers, this one concerning domestic violence -- was assuredly triumphant, it seemed an odd lead - in to an encore cover of Pat Benatar's "Hit Me With Your Best Shot."
For harmony junkies, Little Big Town's middle set was a sweet fix indeed. The dynamic two man-two woman vocal group, backed by a nimble three - piece band, expertly layered their voices to shiver-inducing effect. Each took a turn on lead vocals but always respected the body of the sound they were making, be it the foot - stomping ode to rural roots "Boondocks," the tender acoustic ballad of loss "Stay," or the nod to forebears Fleetwood Mac with a rousing run through "Go Your Own Way."
Rodney Atkins, an overnight sensation a decade in the making, opened with tracks from his solid breakthrough platinum seller , "If You're Going Through Hell."