"It's like 'Romeo and Juliet,' except Juliet's a wolf," my friend whispered to me half an hour into the new thriller "Blood and Chocolate."
"No," I whispered back, "it's like 'Jungle Fever,' except with humans and animals."
"Or 'Crouching Tiger, Hidden Dragon,' " she replied. "Except in Romania. And with wolves."
"Blood and Chocolate," you see, is sort of derivative. The story is Shakespeare's, the themes are Spike Lee's, the choreography is Ang Lee's. And the mythology? There's little werewolf lore here that you couldn't pick up by watching "Teen Wolf." Still, "Blood and Chocolate," which was adapted from a popular young adult novel, is entertaining in a B-movie sort of way, and you can't help admiring its earnestness about the philosophical issues it invokes: the individual versus the community, innovation versus tradition, majority prejudice versus minority resentment.