Martin Scorsese won't be winning any Oscars for ``The Departed." The movie's too hard, too pulpy -- too good. A relentlessly violent, breathtakingly assured piece of mean-streets filmmaking, the film shows the legendary director dropping the bids for industry respectability that have preoccupied him over the past decade and doing what he does best: burrow to the agonized heart of criminality and let the blood and guilt splatter where they may.
Adapted from the 2002 Hong Kong action film ``Infernal Affairs" by the Dorchester-born screenwriter William Monahan , ``The Departed" is also the closest we've come yet to The Great Boston Movie, a beast that requires more honesty than filmmakers (and audiences) have been willing to grant. The film's only serious flaw is that it establishes a venal and local moral wasteland, crisscrossed by scummy realities of class and race, that it never follows up. What begins as a blood-soaked tragicomedy about our fair town's tribal warfare turns into merely a brilliant B movie. Don't let that keep you away.