Victorian secrets

Biography of Beeton reveals the unsavory side of the iconic 19th-century household expert

June 11, 2006|Judith Martin

The Short Life and Long Times of Mrs. Beeton: The First Domestic Goddess
By Kathryn Hughes
Knopf, 480 pp., illustrated, $29.95

The inestimable Isabella Beeton, supreme authority on Victorian housekeeping, was a serial plagiarist. That is, not only did she help herself to generous portions of other writers' work for her massive ``Book of Household Management," but she and her husband, Samuel, also published this purloined material in serialized installments.

Although she urged women to keep their husbands from straying by providing enticing meals in a cozy home, Isabella Beeton was an indifferent cook who did the opposite -- she ensured her own marital togetherness by moving into her husband's office. This method seems to have worked just as well. He was devoted to her, although he did give her a souvenir from his bachelor days, syphilis, and he replaced her personally and professionally within months of her death at the age of 28 from complications after childbirth .

And now for the shocking revelation in Kathryn Hughes's biography ``The Short Life and Long Times of Mrs. Beeton " : It is that a household manual published in 1861 is still of use, not only to housekeepers, but to sociologists, economists, food analysts , and neo-feminists. Compiled amid the social turmoil that accompanied the Industrial Revolution, Beeton's book contains powerful subtexts about the class system, consumerism, the safety factor in food sources , and the rights and duties of married women. Magazine publishers might also want to study the acuteness with which the Beetons kept their many publications responsive to opposing and shifting public opinion and taste.

The hefty original volume is therefore worth reading. But for those lacking the patience to slog through hundreds of pages of recipes for such dishes as calf's- head soup and dry pigs' cheeks, Hughes has distilled the subtext of the book as well as of the Beetons' and their readers' lives.

Isabella Mayson was the eldest of 21 children in a blended and upwardly mobile family who disappointed her fond parents by falling in love with a headstrong young publisher. They were educating her, in music and foreign languages, to take the next step up to idle mid-Victorian ladyhood. Samuel Beeton came from no better origins than their own, and it did not escape their notice, as it did Isabella's, that he was also a litigious four-flusher headed for bankruptcy.

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