Morrison displays his country soul

March 07, 2006|Steve Morse, Globe Correspondent

Van Morrison goes country? We shouldn't be surprised. He has tried just about everything else in his career, from R&B to rock, jazz, skiffle, and Celtic music. And now he does the Ray Charles thing by crossing over to country with a mature style that fits a master rather than a disciple.

''Pay the Devil" (Lost Highway), in stores today, is Morrison's best vocal performance in years, as he blends 12 country covers and three originals. They all sound straight out of Nashville, though Morrison used his own band rather than Music City hotshots. But he's got an authentic, pedal-steel-and-fiddle feel underscoring his twangy, heartfelt vocals and his passionate commitment to the material. Morrison, who performs tomorrow at the Opera House, excels on three songs recorded by Webb Pierce -- the honky-tonking ''There Stands the Glass," the sensuous ''Back Street Affair," and the achingly soulful, lost-love lament ''More and More."

Morrison pays homage to country's bad-boy patriarch George Jones in the urgent ''Things Have Gone to Pieces," and adds some rockabilly to the classic ''My Bucket's Got a Hole in It" and his own ''Playhouse."

He turns up the heat on Hank Williams's ''Your Cheatin' Heart" and delves deep on Bill Anderson's ''Once a Day" and Rodney Crowell's ''Till I Gain Control Again," singing with exquisite swoops to punctuate the song of survival. He hits further highs with originals ''Pay the Devil" (a fiddle-spiced track about a rambler) and ''This Has Got to Stop," which moves into Bob Wills-inspired Western swing.

Morrison has done his homework, and one only wonders why he didn't do a country album before.

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