Michèle Bernard-Requin, the judge in ''10th District Court," Raymond Depardon's engrossing French documentary, has a difficult, frustrating, and entirely unenviable job. From the bench in her Paris courtroom, she arbitrates minor cases -- harassing phone calls, drunk driving, weapons possession -- that have larger social implications. One camera is perched squarely before her bench. Another peers up at the women and men who address her.
Depardon's format, which evokes Frederick Wiseman's fly-on-the-wall approach to documentary, is rather simple. We watch selections from a handful of cases that come before the judge, a few per day, about one day a week throughout May and June in 2003. She lays out the facts. They attempt to clarify. A conversation ensues. The prosecutor speaks. The defense rebuts, though not always in the form of an actual counterargument. All sides deliberate. The judge delivers her verdict.