After long silence, Fugees are making a joyful noise

October 04, 2005|Life in the Pop Lane, Globe Staff

The last time the Fugees -- Wyclef Jean, Lauryn Hill, and Pras Michel -- released new music, Tupac and Biggie were still alive, while 50 Cent and Eminem were just a couple of guys named Curtis Jackson and Marshall Mathers III.

Now, the Fugees are back for the first time since 1996, when the New Jersey-based trio took its stunning blend of hip-hop, R&B, jazz, and reggae to the top of the charts with its sophomore album, ''The Score." After a few appearances, most notably a surprise performance last year at a Brooklyn block party hosted by comedian Dave Chappelle, the Fugees have released a new single, ''Take It Easy."

It's a spirited track that opens with Hill, who's still uncontested as hip-hop's best female MC. Her already-deep voice seems huskier than ever as she raps:

I got moxie/ I'm so damn foxy/ Industry try to block me like cops and paparazzi

Her flow is ferocious and hard, her rhymes a torrent. She sounds renewed and energetic, and makes the track her own. Once Wyclef and Michel join in, you can sense the palpable joy these three feel in finally being together again.

Is it ''Fu-Gee-La"? No. Yet in hip-hop terms, this is like a Beatles reunion -- and for a long time, it appeared just as impossible. Each found varying degrees of solo success, especially Hill with the 1998 release ''The Miseducation of Lauryn Hill," which became the first CD by a hip-hop artist to win the Grammy for album of the year. Still, what really made hopes for another Fugees album seem unlikely was bad blood between Hill and Wyclef, some of which was spilled on Hill's album in such songs as ''Lost Ones" and ''Superstar." (The two had an ill-fated affair that left Hill burned but lyrically inspired.)

Since hip-hop artists are known for beefs, not their capacity to forgive and forget, few believed there would ever be another Fugees collaboration. Further complicating matters were conflicting reports about Hill's emotional state. After the runaway success of ''Miseducation," and the attendant deluge of attention and adulation, Hill seemed overwhelmed. While everyone waited for a big follow-up, she beat a mean retreat from the spotlight. Then, in 2002, she released a double album culled from her ''MTV Unplugged" performance. It was a fascinating mess, with an occasionally teary Hill providing rudimentary accompaniment on an acoustic guitar she'd recently learned to play. The songs were unpolished and deeply confessional, and in between them, she offered lengthy off-the-cuff remarks, many of them about being true to one's self.

So, after all the drama and recriminations, a fresh track from the Fugees is a kind of musical miracle. Yet, with so much anticipation, can the Fugees possibly live up to expectations?

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