CAIRO -- A ribbon of butterscotch shimmered across the horizon, the final remnant of a glorious setting sun. Nightfall comes rapidly on the Nile, and the remaining feluccas hurried past, seeking anchorage before darkness. In three millennia, the single-sail, gaff-rigged vessels have not changed. Today, as in 1000 BC, they skim the water with seamless grace, still devoid of running lights.
From the pool deck of Abercrombie & Kent's 18-stateroom Sun Boat III, we gazed west across the Nile at a scene unchanged since the feluccas first sailed. Yet behind us, where our boat was berthed, sprawled the metropolis of Aswan, with 1 million residents and home of Egypt's technological marvel, the Aswan High Dam. It is the departure point for an equally compelling marvel: the transplanted temples of Philae, now enshrined on higher ground on the tiny island of Agilkia on the Nile. The setting epitomized what we had come to expect in seven nights on this river: extraordinary antiquities quietly coexisting in the shadows of an encroaching modern world.