Mitch Albom's 'Heaven' drags on for an eternity

December 04, 2004|Globe Staff

It turns out that the five people you meet in heaven are going to bore you to death all over again. They'll yammer on and on about family and sacrifice and forgiveness, and before you know it, you'll be all passed out in the card aisle of eternity, motionless underneath the Hallmark display.

''Mitch Albom's The Five People You Meet in Heaven" is an easy target, and not just because of its pretentious title, which implies that Albom is a full-fledged franchise of the magnitude of Stephen King, or, like, William Shakespeare. The movie, which premieres tomorrow at 8 p.m. on Channel 5, is nothing more than a shameless mass of sentiment and armchair spirituality that's a new low -- or high, depending on your point of view -- in prime-time preachiness. The dialogue, for instance, is straight out of every pocket-wisdom book beside every cash register at every bookstore in the country. ''All endings are also beginnings," we are told, and ''There are no random acts."

Jack Handy, eat your heart out.

And ''The Five People You Meet in Heaven" disperses its hooey for three hours. Three hours that you can never get back. Ever. There's a remarkable amount of dead air pretending to be sensitive pacing in the narrative, dead air that by all rights belongs to the sadly preempted ''Desperate Housewives." Imagine close-ups of noble characters staring, thinking, looking holy; water shimmering oh-so-poetically; clouds, puffy clouds. Imagine an extended war sequence that could put you to sleep, despite its explosions and gunfire, not to mention the presence of Michael Imperioli from ''The Sopranos."

The stretched-thin story line revolves around an 83-year-old amusement park handyman named Eddie (Jon Voight), who dies trying to save a little girl from a faulty park ride. Eddie goes to heaven, where he revisits pivotal chapters of his biography -- the war, his marriage, his parents -- with the help of a guiding spirit from each chapter. It's like Scrooge's overnight journey through his life, except Eddie, the Scrooge figure, is a already a nice guy who just needs a dose of Sunday school to become even nicer. Think of lemonade, then think of adding saccharine.

''The Five People You Meet in Heaven" will undoubtedly attract a large audience, partly because it's based on a bestseller and partly because it promises a good old-fashioned holiday dose of earnest inspiration. But I'm guessing even the most eager viewers will drop out as the movie drags on, as the obviousness and artificiality become unbearable, as Albom's script gives them cavities.

Even the makeup, costuming, and scenery are hokey in this would-be fable. The characters from Eddie's past dress in the kind of stereotypically nostalgic outfits generally seen in a high school pageant. And the backdrops often look just as amateur. The production certainly must have cost plenty of money, but it ends up looking as cardboard as its flat characters, all of whom are now resting quietly in their dormitory at central casting.

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