Satire in 'White Chicks' hardly goes skin-deep

June 23, 2004|Globe Staff

The bratty, blond socialites Shawn and Marlon Wayans impersonate in "White Chicks" are vain, shallow, ignorant, addicted to designer labels, rude to people of color, and possibly soulless. But white? Not so much.

The Wayanses' brown skin and long athletic frames are hidden beneath elaborate prosthetic suits and flaxen wigs that make them look, alternately, like life-size Barbie dolls and the ceramic Michael Jackson of that famous Jeff Koons sculpture: subhumanly artificial. Their lack of physical resemblance to actual spoiled dingbats goes unnoticed by everybody in this patchy, inept satire.

But the movie doesn't care about biological whiteness so much as its cultural twin, and, on that front, the movie's timing really couldn't be any better. White girls' flaunty entitlement might be displacing hip-hop materialism as popular culture's number one attitude. Lindsay Lohan was thoroughly obnoxious in "Confessions of a Teenage Drama Queen," only to reform and square off against mean girls; the global popularity of Britney Spears cannot be stopped; people love Jessica Simpson's brilliant dimness and can't stop reading best-selling junk food such as "The Devil Wears Prada" and "Bergdorf Blondes." Meanwhile, West Coast princesses Paris Hilton and Nicole Richie run amok, again, through middle America.

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